The paperback
contained questions for a reading group
from Barnes & Noble
of presumed retired women.
My assumption, of course.
James writes in an agnostic style,
meaning he does not judge
characters' choices,
only states things as they are
from a distance.
Isabel Archer is naive,
and therefore the only character
in the story of any importance.
As the naïve often do, she is convinced she is brilliant.
The author states many times that she is
remarkably pretty.
called me ugly.)
(Boys in junior high band
Isabel wants to make her own choices
at a time
when who a woman should marry was everything.
(She turned down a marriage proposal from a young, handsome baron,
and marries an older, divorced artist instead.)
When she has the chance to leave with a better husband,
according to the narrator,
she doesn't.
She returns to Italy.
That's the whole plot of the book:
Isabel Archer learns of her mistake when it is too late.
It is still true today once one reaches a certain age.
I chose this book for myself at the library because
the back cover copy promised a naïve young woman
in worldly, wise corrupted Europe.
I thought I could profit from that, I could learn
But that wasn't James' intention
as an agnostic writer.
The London Post accused James of amorality
in 1892,
whereas by modern 21st century standards it seems
overwhelmingly moral
like the Tammy Wynette song
“Stand By Your Man,”
and Mr. Osmond doesn't hit her.
So she doesn't have physical abuse as an excuse
that would work with the morality I learned
from reading the pamphlets my mother received in the mail
in courier type with red underlining
already included in the print,
giving them a false personal touch.
I found the letters quaint and infuriatingly amusing.
They always wanted money, of course.
Isabel Archer has no clear-cut reason to leave her husband,
but if she's unhappy I suppose she should leave him
though she'd be poor without.
Ah, if I could only give up the old school morality I try to scorn
the way one would try to kiss up to the popular crowd in school
or decide to like indie rock or underground death metal
certain obscure bands that would give me punk or feminist cred.
But it's my lot to be the observer: aware of other ways
but as spiritually bankrupt as those tracts suggested
Secular but religiously, obsessively so
like Mr. Osmond was.
Sophisticated but in a stiff, unlikeable way.
I suppose it would be better to
follow my compulsions to shout out “Praise Jesus!”
but that's not me.
I have to cobble together some other way
And be on the wrong side of history against
the freedom of lesbian marriage
because I just can't do it
(yet).
But it's a performance for them, too.
I know it is.
The obese middle aged woman in the motorized wheelchair
with the rainbow flag
checks her blood sugar before eating a muffin.
That was unkind. I will have to think of another portrayal.
My Republican aunt and uncle
celebrate 50 years of marriage in Tempe, AZ.
They pay for my hotel room
or else my Republican grandmother
who stayed with an alcoholic husband
I know he hit her once, and then my adult uncle
(who died of cancer when I was 8)
threw him against the wall
paid for it.
Mozie stayed with Papa because the Texas
farmgirl in her,
stubborn and willful when she was young,
grateful for a thick skirt as she endured her father's belt,
when he caught her walking with a boy,
finally achieved suburban security and normalcy
respectability in marriage at age 18 to an Air Force veteran
with a union machinist's job.
To raise three children penniless
in a hotel
was not a choice she would even consider.
The greatest generation knew how to survive.
A man I rejected as a suitor,
Even blocked his number from my cell phone
said at a screening for local filmmakers
that its “cool” to be liberal.
I was angry like Isabel was that these
men thought they knew what was best for her.
My neighbor
with a shaved head and a tattoo that said “white boy,”
noticing my black eye, said
no, he didn't think it was from a boyfriend
because I was too smart for that.
When my internship at the university press ended
I went into a downward plunge,
and it makes me an unlikeable
narrator that I think of my own well-being
to the exclusion of others.
What about doing the thing itself
for its own reasons
and not ascribing motives of class or
gender politics, because we, after all,
are in the age of the end of history?
Wednesday, September 26, 2012
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